Audio Masterclass

The Audio Masterclass Digital Audio Workstation Course

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Enroling now. Course opens Monday November 19.
 

This course covers operations that are commonly performed in all digital audio workstation (DAW) softwares. The course is not DAW-specific - the techniques covered can be applied to any DAW.

IMPORTANT: This course is not a substitute for the manual that came with your DAW or is available from the developer online. You must have access to this material to benefit from this course.

The course includes full access to the course materials of Module 6 of the Audio Masterclass Music Production and Sound Engineering Course on Recording Software, which provide a firm foundation for further progress.

The course then adds twelve practical assignment projects covering topics from simple editing, fading and crossfading, all the way through to professional-standard speech and music editing and vocal compiling.

The techniques covered are essential for anyone wishing to work to a professional standard in their own home or project studio.

Focus on the DAW

This course focuses on the operations of the digital audio workstation itself. It does not cover plug-ins, although the use of plug-ins as insert and bus processes is included.

Commitment required

This is not a course for anyone who is not fully committed to their craft. The practical assignment projects are not excessively difficult, but they are detailed and require painstaking attention to detail, and the persistence to carry out repetitive tasks all the way through to the end to a high level of quality. This is similar to professional work which is carefully paced, methodical, with a careful eye for detail and precision.

Assignment content

The course contains the following topics as practical assignment projects, of which there are twelve in total (as all of our courses are subject to continuous improvement we reserve the right to change, substitute or modify assignments):

  • Precision editing
  • Speech editing
  • Precision fades and crossfades
  • Subgrouping
  • Insert and bus processes
  • Vocal comping
  • Pan law
  • MS (mid-side)
  • Gain structure
  • MIDI tracks
  • Instrument tracks

Requirements

Equipment and software:

  • Modern digital audio workstation software such as Pro Tools, Cubase, Logic Pro, Studio One, Digital Performer, Reaper, Ableton Live, or similar.
  • Audio interface with two or more microphone inputs and phantom power (microphones are not necessary for this course but we have found through experience with our students that this is the minimum effective specification)
  • Headphone or loudspeaker monitoring
  • At least one plug-in (those that are supplied with the DAW will be fine)
  • A software instrument (can be very simple and basic)

IMPORTANT

This course is staged, meaning that each module must be completed before access to the next is available. Modules can be taken at one per week, or at any pace slower than that within the two-year enrolment period.

Please read the above paragraph carefully. We cannot allow any exceptions.

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What our students say about Audio Masterclass courses

You did a great job!

Excellent material, audio and videos are really good and clear.

I appreciate the depth, very informative and useful. I increased my knowledge in the area I am so passionate about. I was able to implement a lot of new procedures in my own sound and musical projects.

My gratitude and best regards

Anton Strecky, Slovakia

With my employment in health service established years ago, music and recording is an essential withdrawal from professionalism to me, rather than a significant possibility to provide a supplement to earned income. But with growing interest and investment, achievement of professionally acceptable quality became a must. At that point studying at Audio Masterclass had only pros and no cons to me, and no equally accessible alternatives of world-class standards.

The book "How to set up a Pro Home Recording Studio" [by Audio Masterclass] and other information concerning hardware and software helped me to find "my way" in the jungle of possibilities, and it actually had a money saving effect.

Assessments of practical assignment projects were of especially great importance to me. It is easy for the beginner like me to have an illusion that the produced work is good, while actually it is not. Additional valuable information can be derived from individually provided comments too.

It is very comforting to have tons of audio examples at hand. Even after the course I use some of them as benchmarks of specific quality.

The most special experiences along the way of the course were moments of approaching the presumed limits of creative possibilities… stepping beyond… and finding that there is something more out there. And this kind of training may have implications that are not immediately obvious, but may prove to be of great importance in any intellectually demanding/competitive situation of life. All in all, I consider that to be my greatest gain achieved at Audio Masterclass.”

Egidijus Nemanius, Lithuania

Hi David [Gatis refers to David Mellor, Course Director of Audio Masterclass], I very happy that I signed-up for your course and that I've graduated it!

Actually, before I made my mind, I did a lot of research on web about your course, because at that time I just finished my studies at America Audio Insitute, but I felt like it's not enough for me to get on next level - as I wanted it so much. So I found Audio Masterclass. I found just one review on google, where somebody told that: "you won't get what you as an engineer really need etc, it lacks of deep dive in subject... this and that...." - I thought to myself: "well... maybe this guys is all wise or he is not opened for new experience and knowledge, or he was a bad student". So I decided to take a risk as I had no clue what is will look like.

The first thing that made most sense to me is practical assignment - that is "everything"! But in many other online-schools (like America Audio Insitute or Detroit Recording institute), it's the biggest defect of the program. If you can send your material for constructive feedback, it's the most valuable learning point!

Next thing: Every time I got feedback on task, at first I started learn it with your written feedback - that had greatest value to me. Another great thing is that by reading your feedback, you really get this feeling that somebody is listening to your work and paying attention to details.

About content: the structure of the course is very similar to many other courses but the difference in content is huge! And by this I also mean the language - how you explain things and details. This is very important to me as I'm not comming from english speaking country, but here it's easy to perceive the information. There are many great recording engineers out there, but not everyone has capability to teach others - but you can teach! (and I mean it, especially if I compare with my previous courses on America Audio Insitute Detroit Recording institute).

Other student audio examples: - very good in understanding what to do, and what to avoid! Sometimes if you have nothing to compare your work with, then you might think that "oh, yeah, great record!", but when you start to listen to others ...hmmm.... it become a challenge - it's like setting benchmark.

And yes, for me, as a small studio owner, has no huge budget or possibility to try out some top-end mics, the files with pre-amp and mic samples are awesome - now I have an idea how U87 sounds! : )

About improvements - actually I don't have anything to add to this, because from all this course I can feel that it's all made with professional attitude.

Overall - I've learned a lot, but most important to me is that by having many "aha" moments, I've developed completley different mindset when I start to think about recording, mixing and mastering - for me, it's the biggest achievement! ...and I want to learn more!

Ok, again, thanks for everything - I got the certificate - it's a very important milestone for me towards my GRAMMY! : )

P.S. I've already decided, to save some money and enroll to your professional courses within few month, so see you soon!

P.S.S. I've also attached my picture from my home studio.

All the best.

Gatis Pastars, Latvia

“I have to thank you and your team for helping me better understand the complex, and sometimes difficult to discover, secrets of audio engineering ! I'm very happy with my choice of enrolling in your captivating and well structured course !

Thank you and best wishes.”

Tudor Rogoz, Romania

This course is for you if...

  • You listen to pro recordings and think to yourself, "Why don't mine sound like that?"
  • You want to master all of the techniques of the recording studio
  • You want to get the utmost out of your equipment and software
  • You want to save money by realizing it's all down to your knowledge, skills and experience - you don't need more equipment
  • You want to be sure that your production skills allow you to get the best from your musical creativity
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About Course Designer David Mellor

Course Designer David Mellor

David Mellor is the founder and Course Director Audio Masterclass, currently residing in the beautiful countryside of Oxfordshire in the United Kingdom. He has worked in audio education since 1986 in hands-on training, lectures and online. David Mellor holds the degree of B.Mus (Tonmeister) from the University of Surrey where he studied music, piano performance, acoustics, electronics, electro-acoustics and recording.

Live Sound and Recording Engineer
David Mellor worked as theatre sound engineer at London's Royal Opera House, with activities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. David Mellor toured with the Royal Opera Company to the Dorothy Chandler Pavilion, Los Angeles, USA; the Odeon of Herod Atticus, Athens, Greece; the Sejong Center, Seoul, South Korea; the Bunka Kaikan, Tokyo, Japan.

Musician and Composer
Since 1985 David Mellor has had more than 1000 works published in the field of production music, including the Chappell and Carlin music libraries (now combined into Universal Publishing Production Music) and his own music library for which he has produced seventeen compact discs. Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and The Oprah Winfrey Show.

Writer and Educator
David Mellor has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, and also returning to lecture at Surrey University. He has also written for magazines including Sound on Sound, Audio Media, Studio Sound, Sound & Video Contractor. He has also written four books on audio and video technology. David Mellor now specializes in online audio education and has been Course Director of Audio Masterclass since 2001.

Enroll now $277

All of our courses have a 30-day no-questions-asked, full-refund guarantee